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photos 101
Hi Kate -
You've read lots of good advice so far. Know that in the United States
FAA regulations require (yes require) inspectors to hand inspect film
upon request. They will try to talk you out of it, and some will refuse,
no matter how loudly you protest even if you show them a copy of the
regulation. They best approach is first and foremost, allow LOTS of
extra time for your check in, second, smile alot, don't be pushy or
arrogant and if they refuse, let it go through the xray. It's better
than missing your flight or worse, being hauled aside for suspicion of
something.
There is no such requirement for hand inspection once you are out of the
US.
Do NOT put your film in your checked luggage. It will likely be ruined.
I advise against the lead bag, because if the xray technician is doing
her job correctly, she will see a big black blob on her viewer, raise
the power to get a better look, and keep raising it until she can see
through the lead bag, which the machine does have the capacity to do if
it is cranked up enough. Once that happens, your film is toast.
Low ISO film like the suggested velvia, or Kodak E100S (ISO 100, another
pro film used by many garden shooters) or any other film ISO 400 or
less, should not be affected by one pass through an airport check in
machine. However, two, or three passes or more, could begin to have a
cumulative effect. When you fly over, that's one pass. Come back, that's
two. If you fly anywhere else with the film, you can add it up.
London has many good labs where you can have your film processed & I
would recommend that route. I'd buy it here, so you know you have it
(you don't want to get there & have some Murphy's law routine prevent
you from getting the right film) process it there, then your worries are
over. Go to the Kodak website and look for a 'Q' lab in London.
As far as actually making good publication quality photos, well for that
I'm afraid it would take more than a few quick emails. A tripod is
certainly a must.
Most of all, have fun!
Rich Pomerantz
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